Mostrar mensagens com a etiqueta Cinema. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Cinema. Mostrar todas as mensagens

domingo, dezembro 23, 2007


Desde sempre, associo a Música no Coração ao Natal.

Assim, aqui deixo uma prendinha para vocês
e, em especial, para os meus sobrinhos Sofia e Diogo :o)

Para acompanhar a cantar, afinado ou desafinado.

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The Sound of Music














Do Re Mi


My Favorite Things


Edelweiss



Gosto de todas as músicas do filme.
Por isso, a escolha das 3 músicas prende-se com o universo youtube ou com a minha falta de jeito (porque não consegui encontrar muito mais...)

Junto Climb Every Mountain numa versão que encontrei por lá:







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- Wikipedia, The Sound of Music (film)
- Movie vs. Reality: The Real Story of the von Trapp Family
- IMDb
- Reel Classics
- Senses of Cinema, "How Do You Solve a 'Problem' Like Maria von Poppins?" by Peter Kemp
- A photo portfolio — filming ‘The Sound of Music’

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* - o My Favorite Things pedi emprestado ao Intruso.

domingo, novembro 25, 2007

O Cinema segundo Martin Scorsese


Martin Scorsese


Depois de A Personal Journey with Martin Scorsese Through American Movies, a RTP2 passa daqui a pouco, à 1h30 da manhã, My Voyage to Italy.

Grandes lições.

Imperdíveis.




Michelangelo Antonioni, L'Eclisse, 1962



Michelangelo Antonioni, L'Avventura, 1960





Federico Fellini, 8½ (Otto e mezzo), 1963



Federico Fellini, La Dolce Vita , 1960



Federico Fellini, La Dolce Vita , 1960





Roberto Rossellini, Viaggio in Italia, 1953

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segunda-feira, julho 30, 2007

Ingmar Bergman

(14 Julho 1918 - 30 Julho 2007)


O Sétimo Selo, 1957

A ver:
Ingmar Bergman Face to Face
Senses of Cinema, Ingmar Bergman by Hamish Ford
Strictly Film School, Ingmar Bergman


O Sétimo Selo, 1957

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segunda-feira, outubro 09, 2006

terça-feira, agosto 15, 2006

Me and You and Everyone We Know



Miranda Julie & Michael Andrews, The Opening (When I call a name), 2005
Me and You and Everyone We Know, soundtrack

"If you really love me,
then let's make a vow...
right here, together...
right now.

- Okay?
- Okay.

All right.
Repeat after me—
I'm gonna be free.
I'm gonna be free.
And I'm gonna be brave.
I'm gonna be brave.

Good.
And the next one is—
I'm gonna live each day
as if it were my last.

Oh, that's good.
You like that? Yeah. Say it.
I'm gonna live each day
as if it were my last.

Fantastically.
Fantastically.

Courageously.
Courageously.

With grace.
With grace.

And in the dark of the night,
and it does get dark...
when I call a name—
When I call a name.

It'll be your name.

What's your name?
Never mind.
Let's go. Say it.
Let's go. Everywhere.

Everywhere. Even though—
Even though—
We're scared.
We're scared.
'Cause it's life—
It's life.
And it's happening.
It's really, really happening...

right now.

All right. Now let's kiss
to make it real, okay?

Okay."


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"When I was little I had a theory that you should draw a picture using all the colors except yellow, making it as good as you could, and then, finally, after giving up, you should add yellow. And yellow had the magical property of instantly making everything come alive, it was light itself, and thus the picture came into being. Mike Andrews' score was the yellow for this movie."
Miranda July, May 7, 2005

In www.Amazon.com - Me And You And Everyone We Know [soundtrack], Michael Andrews

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domingo, agosto 06, 2006

la vida secreta de las palabras








Antony & The Johnsons, Hope There's Someone, 2005








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sexta-feira, julho 21, 2006

Condamnés à vivre









[imagens de L'Avventura (1960) de Michelangelo Antonioni]

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segunda-feira, março 21, 2005

Million Dollar Baby

Sóbrio, contido, clássico.
Do sonho. Do desencanto. Do amor. Da dignidade. Da vida.


Photo by Merie W. Wallace - © 2004 Warner Brothers


Photo by Merie W. Wallace - © 2004 Warner Brothers


Photo by Merie W. Wallace - © 2004 Warner Brothers