tag:blogger.com,1999:blog-103500582024-03-13T15:36:21.209+00:00gotasdaguaUnknownnoreply@blogger.comBlogger504125tag:blogger.com,1999:blog-10350058.post-81010119238442688592009-10-06T03:39:00.002+01:002009-10-06T03:51:09.916+01:00<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/stPz0doXSL8&hl=pt-br&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/stPz0doXSL8&hl=pt-br&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object><br />Mercedes Sosa, <span style="font-style:italic;">Piedra y Camino</span><br /><br /><br /><br /><span style="font-weight:bold;">Piedra Y Camino<span style="font-style:italic;"></span></span><br /><br /><br />Del cerro vengo bajando,<br />Camino y piedra,<br />Traigo enredada en el alma, viday<br />Una tristeza...<br /><br />Me acusas de no quererte.<br />No digas eso...<br />Tal vez no comprendas nunca, viday<br />Porque me alejo...<br /><br />Es mi destino<br />Piedra y camino...<br />De un sueño lejano y bello, viday<br />Soy peregrino...<br /><br />Por mas que la dicha busco,<br />Vivo penando...<br />Y cuando debo quedarme, viday<br />Me voy andando...<br /><br />A veces soy como el rio:<br />Llego cantando...<br />Y sin que nadie lo sepa, viday<br />Me voy llorando...<br /><br />Es mi destino,<br />Piedra y camino...<br />De un sueño lejano y bello, viday<br />Soy peregrino... <br /><br />___Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-10350058.post-29423207004856254632009-09-15T12:28:00.012+01:002009-09-15T13:12:42.382+01:00Ricardo Leite<div style="text-align: justify;">___<br /><br /><div style="text-align: justify;">A exposição <span style="font-weight: bold; font-style: italic;">CONFLITOS INTERIORES. Ricardo Leite: O Pintor e os seus Modelos</span> inaugura hoje, às 16h.<br />Na Sala Bocage do Centro de Estudos Judiciários, Largo do Limoeiro, em Lisboa.<br />Poderá ser visitada das 9h às 18h (dias úteis) até 15 de Outubro.<br /><br /></div><br /><a href="http://www.ricardo-leite.net/">http://www.ricardo-leite.net/</a><br /></div><br /><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/RicardoLeiteExpoPinturaSet2009-1.jpg" width="373" /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_qZrt68nn0WI/Sq96szk_v8I/AAAAAAAAArQ/r3t9-iONhxk/s1600-h/Ricardo+Leite,+Expo+Pintura,+Set.+2009+-2.png"><img style="cursor: pointer; width: 191px; height: 400px;" src="http://4.bp.blogspot.com/_qZrt68nn0WI/Sq96szk_v8I/AAAAAAAAArQ/r3t9-iONhxk/s400/Ricardo+Leite,+Expo+Pintura,+Set.+2009+-2.png" alt="" id="BLOGGER_PHOTO_ID_5381654989909245890" border="0" /></a><br />(para ler - clicar na imagem)<br /><br />___Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-10350058.post-71701359100468244382009-09-15T10:22:00.005+01:002009-09-15T11:17:01.539+01:00<div style="text-align: justify;">___<br /><br />Arminda - Performances no Goethe-Institut<br /><br /><br /><!-- div class="veranstaltungsintro" --> <!-- hidden first picture for HTTrack --><!-- div class="bildBox" --> </div><p style="text-align: justify;">"<span style="font-style: italic;"> "Arminda" é uma exposição com instalações, vídeos e performances de Gabriel Abrantes, Vasco Araújo, Filipa Brito, Filipa Cardoso, Vera Carmo, António Corceiro-Leal, Sara Correia, Renée Green, Arne Kaiser, Rachel Korman, Dinis Machado, Tiago Mestre, Sofia Ponte & Tiago Pereira, Ana Pissarra, Lara Portela, Flávia Vieira. </span></p><div style="text-align: justify;"> </div><p style="font-style: italic; text-align: justify;">"Arminda" é um projecto da Maumaus - Escola de Artes Visuais, que apresenta nas instalações do Goethe-Institut Portugal, em Lisboa, intervenções dos participantes do Programa Independente de Estudos das Artes Visuais a partir de uma residência que estes artistas fizeram durante um mês no Instituto. Foram também incluídas pelos participantes obras já existentes de alguns tutores do programa. </p><div style="text-align: justify;"> </div><p style="font-style: italic; text-align: justify;">As intervenções terão lugar de 31 de Agosto a 2 de Outubro de 2009 e ocuparão todo o instituto (hall, jardim, salas de aula), interferindo no funcionamento habitual e assim possibilitando novas leituras e olhares sobre o espaço. Há intervenções que só funcionam na área reservada ao ensino da língua alemã, com um público específico, outras (performances) são abertas a todos e acontecem sucessivamente entre as datas indicadas, sendo anunciadas oportunamente por email e nas páginas de internet do Goethe-Institut Portugal e da Escola Maumaus. </p><div style="text-align: justify;"> </div><p style="text-align: justify;"><span style="font-style: italic;">O projecto "Arminda" inclui uma midissage no dia 15 de Setembro, às 19.00 horas, no Jardim do Goethe-Institut. </span>"</p><p style="text-align: justify;">in <a href="http://www.goethe.de/ins/pt/lis/ver/pt4947650v.htm">Goethe-Institut</a></p><div style="text-align: justify;"><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/arminda.jpg" width="640" /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-10350058.post-84361149949287610742009-08-09T17:58:00.006+01:002009-08-09T18:29:16.059+01:00Raul Solnado (1929-2009)Devo dizer que nunca fui a um funeral de uma figura pública.<br /><br /><br /><br />Hoje, vou despedir-me do Raul Solnado.<br /><br />Vou despedir-me de um grande artista e de um grande cidadão.<br /><br /><br /><br />Vou despedir-me também de um pouco de mim, de um pouco da minha infância.<br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_qZrt68nn0WI/Sn8HLoudKRI/AAAAAAAAAqo/t5Fvhjg4zpo/s1600-h/Raul+Solnado+Vol+2+2004.jpg"><img style="cursor:pointer; cursor:hand;width: 300px; height: 300px;" src="http://1.bp.blogspot.com/_qZrt68nn0WI/Sn8HLoudKRI/AAAAAAAAAqo/t5Fvhjg4zpo/s400/Raul+Solnado+Vol+2+2004.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5368017177341143314" /></a><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_qZrt68nn0WI/Sn8HLwmuNsI/AAAAAAAAAqw/wmUzDpnSn_A/s1600-h/Raul+Solnado+2.jpg"><img style="cursor:pointer; cursor:hand;width: 350px; height: 261px;" src="http://3.bp.blogspot.com/_qZrt68nn0WI/Sn8HLwmuNsI/AAAAAAAAAqw/wmUzDpnSn_A/s400/Raul+Solnado+2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5368017179456190146" /></a><br /><br />___Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-10350058.post-59859586503134030512009-07-18T07:16:00.007+01:002009-07-18T08:02:11.046+01:00<div><object width="560" height="441"><param name="movie" value="http://www.dailymotion.com/swf/x6xtaa_feeling-good-nina-simone_music&related=1"><param name="allowFullScreen" value="true"><param name="allowScriptAccess" value="always"><embed src="http://www.dailymotion.com/swf/x6xtaa_feeling-good-nina-simone_music&related=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="560" height="441"></embed></object><br /><b><a href="http://www.dailymotion.com/video/x6xtaa_feeling-good-nina-simone_music">Nina Simone, <span style="font-style: italic;">Feeling Good</span></a></b><br /><br /><br />___<br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-10350058.post-11680109937091936482009-07-18T07:11:00.004+01:002009-07-18T07:33:38.138+01:00Nina SimoneUma grande, grande senhora.<br /><br /><br /><object width="640" height="505"><param name="movie" value="http://www.youtube.com/v/GUcXI2BIUOQ&hl=en&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/GUcXI2BIUOQ&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="505"></embed></object><br />Nina Simone, <span style="font-style: italic;">Ain't Got No...I've Got Life</span><br /><span style="font-size:85%;">(segundo as tags do youtube, em Harlem, 1969)</span><br /><br /><a href="http://www.ninasimone.com/"><br />http://www.ninasimone.com/</a><br /><a href="http://pt.wikipedia.org/wiki/Nina_Simone">http://pt.wikipedia.org/wiki/Nina_Simone</a><br /><br />___Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-10350058.post-34951773331087255282009-07-08T15:57:00.004+01:002009-07-08T16:14:52.483+01:00<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/0YCu8JA_XeU&hl=en&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/0YCu8JA_XeU&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br />Miles Davis with his nephew Vincent Wilburn, Jr. playing <span style="font-style:italic;">Human Nature</span> in Belgrad 1986Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-10350058.post-64912353487765731902009-06-05T14:27:00.007+01:002009-06-29T23:47:43.833+01:00Home<img src="http://i153.photobucket.com/albums/s208/daquidelisboa/home.jpg" width="450" /><br /><br /><br />Hoje, na RTP2, às 20h28.<br /><br /><br /><br />O documentário também poderá ser visto aqui:<br /><br />- <a href="http://www.home-2009.com/us/index.html">http://www.home-2009.com/us/index.html</a><br /><br />- <a href="http://www.youtube.com/homeproject">http://www.youtube.com/homeproject</a><br /><br /><br /><br />«<span style="font-style:italic;"><span style="font-weight:bold;">HOME - a film by Yann Arthus-Bertrand</span><br /><br />We are living in exceptional times. Scientists tell us that we have 10 years to change the way we live, avert the depletion of natural resources and the catastrophic evolution of the Earth's climate.<br /><br />The stakes are high for us and our children. Everyone should take part in the effort, and HOME has been conceived to take a message of mobilization out to every human being.<br /><br />For this purpose, HOME needs to be free. A patron, the PPR Group, made this possible. EuropaCorp, the distributor, also pledged not to make any profit because Home is a non-profit film.<br /><br />HOME has been made for you : share it! And act for the planet.<br /><br />Yann Arthus-Bertrand</span>»<br /><br />in http://www.youtube.com/homeproject<br /><br />___Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-10350058.post-76636176183663876882009-05-26T23:43:00.019+01:002009-05-27T00:52:05.899+01:00Close your eyes. You will see___<br /><br /><br />Enviaram-me um mail com o vídeo de um anúncio. Gostei tanto que quero partilhar convosco.<br />[<span style="font-size:85%;">Já agora, é melhor ouvir qualquer dos vídeos com o som alto... :o)</span> ]<br /><br /><br />A história que se conta no anúncio é a de uma menina que queria aprender violino.<br />No fundo, a história tem a ver com a força, com a vontade. Com a Alma.<br /><br /><br />«<span style="font-style: italic;">Music is a visible thing.</span><br /><br /><span style="font-weight: bold;"><span style="font-style: italic;">Close your eyes. You will see</span></span>»<br /><br /><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/BI2A2_d8CNA&hl=en&fs=1"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/BI2A2_d8CNA&hl=en&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="600" height="519"></embed></object><br /><br /><br /><br />A música é lindíssima. Trata-se do <span style="font-style: italic;"><a href="http://en.wikipedia.org/wiki/Pachelbel%27s_Canon">Canon in D</a></span> (c. 1680) do <a href="http://en.wikipedia.org/wiki/Johann_Pachelbel">Johann Pachelbel</a> (1653-1706)<br /><br /><br />Para a ouvirem, aqui vão 3 versões:<br /><br />- <span style="font-style: italic;">Canon and Gigue for three violins and basso continuo in D major</span><br />Performed by Hesperion XXI<br />Directed by Jordi Savall<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/U1pEJ9n5-D4&hl=en&fs=1"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/U1pEJ9n5-D4&hl=en&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="300" height="219"></embed></object><br /><br /><br />- <i>Canon in D major</i><br />Played by The Franz Liszt Chamber Orchestra<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/_nPyLLedfAs&hl=en&fs=1"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/_nPyLLedfAs&hl=en&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="300" height="219"></embed></object><br /><br /><br />- <i>Canon in D major</i><br />Performed by Voices of Music<br /><br /><object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/JvNQLJ1_HQ0&hl=en&fs=1"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/JvNQLJ1_HQ0&hl=en&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="300" height="219"></embed></object><br /><br />___Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-10350058.post-61008445634622917812009-03-26T23:27:00.004+00:002009-03-26T23:46:09.639+00:00<img src="http://i153.photobucket.com/albums/s208/daquidelisboa/EdgarDegasBlanchisseusesportantd-1.jpg" width="640" /><br />Edgar Degas, <span style="font-style:italic;">Blanchisseuses portant du linge</span>, 1876-78Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-10350058.post-54785532675628381372009-03-02T21:03:00.012+00:002009-03-12T07:06:26.094+00:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_qZrt68nn0WI/SaxSzlckhdI/AAAAAAAAAkM/9iXbrW18w8s/s1600-h/Andreas+St%C3%B6cklein,+convite.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 275px; height: 400px;" src="http://1.bp.blogspot.com/_qZrt68nn0WI/SaxSzlckhdI/AAAAAAAAAkM/9iXbrW18w8s/s400/Andreas+St%C3%B6cklein,+convite.jpg" alt="" id="BLOGGER_PHOTO_ID_5308709106941724114" border="0" /></a><br /><br /><a href="http://www.peloscantosdacasa.blogspot.com/">http://www.peloscantosdacasa.blogspot.com/</a><br /><br /><a href="http://www.galeriaratton.blogspot.com/">http://www.galeriaratton.blogspot.com/</a><br /><br />___Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-10350058.post-77774783403197524942009-01-31T10:01:00.006+00:002009-01-31T11:30:13.208+00:00<img src="http://i153.photobucket.com/albums/s208/daquidelisboa/EdwardHopperAmerican18821967Nightha.jpg" width="574" /><br />Edward Hopper, <span style="font-style: italic;">Nighthawks</span>, 1942, Oil on canvas<br /><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/MKz4I5H7PFo&hl=en&fs=1&rel=0"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/MKz4I5H7PFo&hl=en&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="559"></embed></object><br /><span style="font-style: italic;">The Mysterious Mr. Hopper</span><br /><span style="font-size:78%;">(Documentary from the BBC's Imagine series - 2004, Season 3, Episode 1)</span><br /><br />___<br /><br />adenda: <br /><br />A <a href="http://www.blogger.com/profile/00608940224810579640">yko</a> informa-nos que está patente a exposição <span style="font-style:italic;"><a href="http://www.kunsthallewien.at/en/events/index.shtml?id=2568">Western Motel. Edward Hopper and Contemporary Art</a></span> no KUNSTHALLE wien, até 15 de Fevereiro.<br /><br />«<span style="font-style:italic;">Hopper’s pictures “deal with America not only on the surface, but dig deep into the American dream, radically examining this profoundly American dilemma of appearances and reality,” says the German film maker Wim Wenders, who refers to the great American painter Edward Hopper (1882–1967) in his work like many other artists from Alfred Hitchcock and David Hockney to Paul Auster and Peter Handke. Hardly any twentieth-century artist has succeeded in combining existential artistic claims with an aesthetics that describes everyday life, the individual moment, and the iconography of a place in such a poetical and impressive manner. Regardless of the art fashions of his day, Hopper developed a metarealism transforming the subjective perception of reality into something universal, reflecting the isolation of modern urban man, and exploring new forms of visual narration. The representation and manipulation of space, time, light, and shadow are the essential ingredients guaranteeing Hopper’s unbroken topicality in art. His reduced, psychologically charged, and meticulously constructed spaces unfold a lasting tension between the real and the fictitious, specific moments and duration, intimacy and anonymity, nature and civilization.<br />From Ed Ruscha’s stereotype condensations of the American myth and Rachel Whiteread’s and David Claerbout’s investigations of space-time coordinates to the homelessness of present-day existence as mirrored in Philip-Lorca diCorcia’s and Tim Eitel’s work, Hopper’s oeuvre finds its echo in the exhibition’s contemporary positions. Hopper’s works continue to describe the state of today’s world, his cinematographic view providing the starting point for narrative inventions and imaginations in space and time.<br /><br />Participating artists:<br />Edward Hopper and David Claerbout, Dawn Clements, Jonas Dahlberg, Thomas Demand, Gustav Deutsch, Philip-Lorca diCorcia, Tim Eitel, Jim Jarmusch, Rachel Khedoori, Mark Lewis, Ed Ruscha, Markus Schinwald/Oleg Soulimenko, Jeff Wall, Rachel Whiteread<br /><br />Curator: Gerald Matt, Director Kunsthalle Wien<br />Academic advisors: Carter Foster (curator, Whitney Museum of American Art, New York), Angela Stief (curator, Kunsthalle Wien), Ilse Lafer (assistant curator, Kunsthalle Wien), Lucas Gehrmann (independent curator)</span>»<br /><br />in <a href="http://www.kunsthallewien.at/en/events/index.shtml?id=2568">http://www.kunsthallewien.at/en/events/index.shtml?id=2568</a><br /><br />___Unknownnoreply@blogger.com5tag:blogger.com,1999:blog-10350058.post-56933226149467574982009-01-27T02:21:00.005+00:002009-01-27T02:33:08.198+00:00A viagem continua<span style="color: rgb(204, 153, 51);">___</span><br /><br /><br /><span style="color: rgb(153, 153, 0);"><span style="color: rgb(204, 153, 51);">O <span style="font-weight: bold; font-style: italic;">gotasdagua</span> fez 4 anos na sexta-feira passada, 23 de Janeiro.<br />A viagem continua.<br /></span></span><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/e7993338.jpg" width="450" /><br /><span style="color: rgb(204, 153, 51);">Edward Hopper, </span><em style="color: rgb(204, 153, 51);">Compartment C, Car 193</em><span style="color: rgb(204, 153, 51);">, 1938</span><br /><br /><span style="color: rgb(204, 153, 51);">___</span>Unknownnoreply@blogger.com6tag:blogger.com,1999:blog-10350058.post-84923957379422979542008-12-29T19:05:00.017+00:002008-12-29T20:21:04.493+00:00Giorgio Morandi<img src="http://i153.photobucket.com/albums/s208/daquidelisboa/Naturezamorta1939leosobretela44x514.jpg" width="575" /><br />Giorgio Morandi, <span style="font-style: italic;">Still life</span>, 1939, oil on canvas<br /><span style="font-size:78%;">Colecção do Museu de Arte Contemporânea da Universidade de São Paulo</span><br /><br /><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/GiorgioMorandiNaturamorta1930IIoilo.jpg" width="414" /><br />Giorgio Morandi, <span style="font-style: italic;">Still life</span>, 1930, oil on canvas<br /><br /><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/GiorgioMorandiStillLife1958pencilon.jpg" width="358" /><br />Giorgio Morandi, Still Life, 1958, pencil on paper<br /><br /><br /><br />A exposição <span style="font-style: italic;">Giorgio Morandi 1890-1964</span> no <a href="http://www.metmuseum.org/">Metropolitan Museum of Art</a>, em New York, encerrou a 14 de Dezembro. A seguir, estará patente no <a href="http://www.mambo-bologna.org/">MAMbo, Museo d'Arte Moderna di Bologna</a>, de 22 de Janeiro a 13 de Abril de 2009.<br /><br /><br /><span style="font-style: italic;">«On the occasion of the show (which makes its only other stop in Bologna next year), we talked to four artists who count Morandi as a model and inspiration.<br /><br /><br /><span style="font-weight: bold;">Robert Irwin</span><br />"We put on a Morandi show at Ferus. We were trying to explain to some people what a so-called abstract painting was about, and what Abstract Expressionism was all about. The best example in the world was Giorgio Morandi. Morandi, in my opinion, was the only genuine European Abstract Expressionist.<br /><br />When you look at the work, you think he's painting bottles, little still-life paintings, but they weren't. Morandi came in the back door. It was almost a Zen activity. He painted the same bottles over and over and over, so it wasn't really about bottles anymore. If he was a still-life painter, he wouldn't have painted the same bottles over and over.<br /><br />They're about painting - the figure-ground relationship, structure and organization. Morandi's were paintings in the purest sense of the word. They were like a mantra, repeated over and over until it was divorced from words and became pure sounds."<br /><br /><br /><span style="font-weight: bold;">Vija Celmins</span><br />"I tried not to mimic him, but I did a series of paintings of objects then. He helped me drop the color I was into and helped me explore light. I think he was an influence in a broader way, saying let's just go back to looking and letting your hand make decisions. That's basically what I did. I went back to painting without trying to project so much, to express so many opinions, my ideas about what great painting was.<br /><br />[Morandi's is] not really humble work, either. It's really ambitious work. It's about painting a world. The thing that amazed me most in his studio was how big the bottles were, and they were painted. He painted the bottles in various shades of gray, which catches all the light. The paintings were about a world that came from his interior, and he painted the reality to go with what he was already looking for and feeling and wanting to see.<br /><br />Later, when I learned to look at painting in a more complex way, I began to see how strange and controlled the still lifes were, how strange the space was, how alive the paint was. There was this exquisite balance between the extreme stillness and the movement in his paintings. My work is quite restrained. Maybe I recognized that holding back in Morandi's work and it helped me. It gave me the courage to try, to go in that direction instead of trying to be someone else, someone more exciting maybe."<br /><br /><br /><span style="font-weight: bold;">Dan McCleary</span><br />"The first time I saw the paintings and the etchings, I couldn't believe them -- the stillness, the ability to create light with such a limited palette. The paintings looked very awkward and clumsy, like they were about to fall apart. They don't look bravura, but have a radiance and beauty.<br /><br />More than the paintings, the etchings have had a very direct influence on me. I have a book of Morandi etchings that's like my Bible. Wherever I go to do my printing, I bring the book with me. He believed that the line of the etching gave off light, because it's not like pen and ink, it's raised on the paper. It refracts light. (...)"<br /><br /><br /><span style="font-weight: bold;">Uta Barth</span><br />"The history of Western art teaches us to interpret images, to search out and decipher symbolism, to find the narrative of what is being told. Morandi gives us none of that. He gives us silence, observation and a deep love of vision itself, vision divorced from interpretation. He invites us to see, rather than read.<br /><br />This is not an easy task; I know all too well, since it is what I strive for in each body of work I have made throughout the years. I want my viewer to engage and submerge themselves in the act of looking and not in thoughts about what they are looking at. Repetition, redundancy are a path to this end. Look at one chipped and clumsy group of bottles and odd vases and one may think about what they mean; look at countless repetition of the same objects and it becomes clear that something else must be at play.<br /><br />Morandi's objects are clumsy and plain, yet the paintings are some of the most beautiful I have ever seen. They are a love affair with painting, with observation and vision; humble and silent, they invite us to see. They are silent paintings stripped down to form, composition, light and color."»</span><br /><br />in <a href="http://www.latimes.com/entertainment/news/arts/la-ca-morandi9-2008nov09,0,3908211.story?page=1">Giorgio Morandi, bottle by bottle</a>, <span style="font-style: italic;">Los Angeles Times</span>, Arts & Culture<br /><br /><br /><br /><br />A ver -<br />- <a href="http://www.museomorandi.it/index_net.htm">Museo Morandi</a><br />- <a href="http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0103-40142006000300021">Giorgio Morandi e a natureza-morta na Itália</a>, de Maria Cristina Bandera e Renato Miracco, Instituto de Estudos Avançados da Universidade de São Paulo<br />- <a href="http://www.latimes.com/entertainment/news/arts/la-et-morandinew24-2008nov24,0,478510.story">Giorgio Morandi: 1890-1964</a>, <span style="font-style: italic;">Los Angeles Times</span>, Arts & Culture<br />- <a href="http://www.latimes.com/entertainment/news/arts/la-ca-morandi9-2008nov09,0,3908211.story?page=1">Giorgio Morandi, bottle by bottle</a>, <span style="font-style: italic;">Los Angeles Times</span>, Arts & Culture<br />- <a href="http://www.elpais.com/articulo/semana/Astronomia/Morandi/elpepuculbab/20081115elpbabese_6/Tes">Astronomía de Morandi</a>, de Antonio Muñoz Molina, <span style="font-style: italic;">El País</span>, Cultura<br /><br />___Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-10350058.post-68803110875110509802008-12-05T08:55:00.009+00:002008-12-05T09:24:53.851+00:00Marcel van Eeden<img src="http://i153.photobucket.com/albums/s208/daquidelisboa/Marcel%20van%20Eeden/eeden1.jpg" width="640" /><br /><br /><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/Marcel%20van%20Eeden/marcelvaneedenuntitled2008oilonc-2.jpg" width="640" /><br /><br /><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/Marcel%20van%20Eeden/sotto15.jpg" width="450" /><br /><br /><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/Marcel%20van%20Eeden/sotto17marcelvan89D079.jpg" width="450" /><br /><br /><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/Marcel%20van%20Eeden/MARCELA7a.jpg" width="600" /><br /><br /><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/Marcel%20van%20Eeden/sotto04.jpg" width="450" /><br /><br /><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/Marcel%20van%20Eeden/zondertitel2007zwartpotloodoppap-2.jpg" width="450" /><br /><br /><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/Marcel%20van%20Eeden/sotto03marcelvan89CFD7.jpg" width="450" /><br /><br /><br /><img src="http://i153.photobucket.com/albums/s208/daquidelisboa/Marcel%20van%20Eeden/sotto072008.jpg" width="450" /><br /><br /><br /><br />- <a href="http://www.marcelvaneeden.nl/">http://www.marcelvaneeden.nl/</a><br />- <a href="http://www.marcelvaneeden.nl/tekenlog.html">http://www.marcelvaneeden.nl/tekenlog.html</a><br /><br />- <a href="http://www.bordercrossingsmag.com/issue104/article/110">http://www.bordercrossingsmag.com/issue104/article/110</a><br />- <a href="http://www.saatchi-gallery.co.uk/blogon/2006/08/marcel_van_eeden_at_hannover_k.php">http://www.saatchi-gallery.co.uk/blogon/2006/08/marcel_van_eeden_at_hannover_k.php</a><br /><br />___Unknownnoreply@blogger.com8tag:blogger.com,1999:blog-10350058.post-29509409441470141672008-12-04T18:50:00.007+00:002008-12-04T19:44:06.086+00:00<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/Yop0FG0WO6I&hl=pt-br&fs=1&rel=0"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/Yop0FG0WO6I&hl=pt-br&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br />Madeleine Peyroux, <span style="font-style:italic;">Hey Sweet Man</span><br /><br /><br /><img src="http://farm4.static.flickr.com/3158/3083072424_2c3beb7333_o.jpg" width="300" /><br />Madeleine Peyroux, <span style="font-style:italic;">Dreamland</span>, 1996<br /><br /><br /><img src="http://farm4.static.flickr.com/3028/3083072362_c3e04a9a5f_o.jpg" width="300" /><br /><br /><br />- <a href="http://www.madeleinepeyroux.com/">http://www.madeleinepeyroux.com/</a><br />- <a href="http://www.myspace.com/officialmadeleinepeyroux">http://www.myspace.com/officialmadeleinepeyroux</a><br />- <a href="http://en.wikipedia.org/wiki/Madeleine_Peyroux">http://en.wikipedia.org/wiki/Madeleine_Peyroux</a><br /><br />___Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-10350058.post-1544928326655787822008-12-04T02:32:00.004+00:002008-12-04T19:46:52.192+00:00<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/J1BaeC5fJxo&hl=en&fs=1&rel=0"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/J1BaeC5fJxo&hl=en&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br />A Fine Frenzy, <span style="font-style:italic;">You Picked Me</span><br /><br />___Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-10350058.post-33367401768778404712008-11-25T21:37:00.006+00:002008-11-25T22:06:20.816+00:00Myoung Ho Lee<img src="http://farm4.static.flickr.com/3194/3059050871_49c4490144_o.jpg" width="640" /><br />Myoung Ho Lee, <span style="font-style: italic;">Tree #5</span>, 2007, Archival Ink-jet print on paper, 100x240cm<br /><br /><br /><img src="http://farm4.static.flickr.com/3204/3059887564_4b92b30703_o.jpg" width="480" /><br />Myoung Ho Lee, <span style="font-style: italic;">Tree #2</span>, 2006, Archival Ink-jet print on paper, 125x100cm<br /><br /><br /><img src="http://farm4.static.flickr.com/3154/3059888038_0424e27ddb_o.jpg" width="480" /><br />Myoung Ho Lee, <span style="font-style: italic;">Tree #10</span>, 2006, Archival Ink-jet print on paper, 25x20cm<br /><br /><br /><span style="font-size:85%;">(imagens e legendas <a href="http://www.themorningnews.org/archives/galleries/forest_for_the_trees/">daqui</a>)</span><br /><br /><br />A ver -<br /><br />- <a href="http://www.lensculture.com/myoung.html">"Tree. Photographs by Myoung Ho Lee" in <span style="font-style: italic;">Lens Culture</span></a><br /><br />- <a href="http://www.themorningnews.org/archives/galleries/forest_for_the_trees/">"Forest for the Trees", Interview by Mike Smith in <span style="font-style: italic;">The Morning News</span></a><br /><br />- <a href="http://www.lensculture.com/Myoung-Ho-Lee-FOAM-2008.pdf">Myoung Ho Lee's portfolio in <span style="font-style: italic;">Foam Magazine #15</span> (pdf)</a><br /><br />___Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-10350058.post-40133749967114086382008-09-07T11:15:00.015+01:002008-09-08T00:33:51.372+01:00Drawing a Tension<img src="http://farm4.static.flickr.com/3005/2837982976_c2e4328e65_o.jpg" width="640" /><br />Gerhard Richter (1932), Passeio de Canoa, 1965, Óleo s/ tela<br /><span style="font-size:78%;">© Gerhard Richter, 2008</span><br /><br /><br /><br /><img src="http://farm4.static.flickr.com/3176/2837147887_efedf4dbb4_b.jpg" width="640" /><br /><br /><br /><br /><img src="http://farm4.static.flickr.com/3198/2837147067_804af555f6_o.jpg" width="640" /><br /><br /><br /><br /><span style="font-weight: bold;"><span style="font-size:130%;">Drawing a Tension</span></span><br /><span style="font-size:85%;">Colecção Deutsche Bank</span><br /><br /><span style="font-style: italic;">«De 03/06/2008 a 07/09/2008</span><br /><span style="font-style: italic;">10h00 às 18h00</span><br /><span style="font-style: italic;">Encerra à segunda-feira</span><br /><span style="font-style: italic;">Galeria de Exposições da Sede, Piso 0</span><br /><br /><span style="font-style: italic;">Drawing a Tension organiza-se em cinco núcleos, formados por cumplicidades filosóficas e estéticas em diálogo e, por vezes, em tensão entre si. De uma das mais vastas colecções de arte do mundo, serão expostas cerca de 120 obras de, entre outros, Hans Arp, Joseph Beuys, Marcel Broodthaers, Max Ernst, Martin Kippenberger, Blinky Palermo, Sigmar Polke.</span><br /><br /><span style="font-style: italic;">Comissário: Jürgen Bock, Director da Escola de Artes Visuais Maumaus</span><br /><span style="font-style: italic;">Arquitecto: Marcos Corrales</span><br /><span style="font-style: italic;">Consultora: Gertrud Sandqvist»</span><br /><br /><span style="font-size:85%;">in <a href="http://www.gulbenkian.pt/index.php?object=160&article_id=188">http://www.gulbenkian.pt/index.php?object=160&article_id=188</a></span><br /><br /><br />- <a href="http://www.gulbenkian.pt/index.php?section=8&artId=49">Galeria de imagens</a><br /><br />- <a href="http://www.gulbenkian.pt/media/files/Media/Noticias/Drawing-press.pdf">Comunicado de Imprensa</a><br /><br /><br /><br />Portanto, hoje é o último dia...<br />Vale a pena ver a exposição.<br />Daqui a pouco, às 12h, há visita guiada.<br /><br />___Unknownnoreply@blogger.com5tag:blogger.com,1999:blog-10350058.post-70644910840381245062008-08-09T21:53:00.004+01:002008-08-09T22:19:23.526+01:00The Nazi Olympics: Berlin 1936<span style="color: rgb(51, 51, 51);">___</span><br /><br /><img src="http://farm4.static.flickr.com/3228/2747098237_7e852565e8_o.jpg" width="480" /><br /><br /><br /><br /><div style="text-align: justify;"><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/gNKlxcqLKcM&hl=en&fs=1"><param name="allowFullScreen" value="true"><embed src="http://www.youtube.com/v/gNKlxcqLKcM&hl=en&fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="625" height="544"></embed></object><br /><br /><br /><span style="font-style: italic;">«</span><span><span style="font-style: italic;">In this video introduction to the Nazi Olympics: Berlin 1936, American Jewish athlete Marty Glickman, U.S. Holocaust Memorial Museum Director Sara J. Bloomfield, exhibition curator Susan Bachrach, and German Jewish athlete Gretel Bergmann reflect and remember the 1936 Olympic Games as more than history. </span></span><br /><br /><span><span style="font-style: italic;">To learn more about the 1936 Olympics, visit the United States Holocaust Memorial Museum at </span><a style="font-style: italic;" set="yes" linkindex="32" href="http://www.ushmm.org/museum/exhibit/online/olympics/" target="_blank" title="http://www.ushmm.org/museum/exhibit/online/olympics/" rel="nofollow" dir="ltr">http://www.ushmm.org/museum/exhibit/online/olympics/</a><span style="font-style: italic;">»</span></span><br /><br /><span><span style="font-style: italic;">___</span></span><br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-10350058.post-30198224713319133342008-08-09T17:09:00.007+01:002008-08-09T17:44:20.313+01:00<object width="640" height="360"> <param name="allowfullscreen" value="true"> <param name="allowscriptaccess" value="always"> <param name="movie" value="http://www.vimeo.com/moogaloop.swf?clip_id=419344&server=www.vimeo.com&show_title=0&show_byline=0&show_portrait=0&color=00ADEF&fullscreen=1"> <embed src="http://www.vimeo.com/moogaloop.swf?clip_id=419344&server=www.vimeo.com&show_title=0&show_byline=0&show_portrait=0&color=00ADEF&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="640" height="360"></embed></object><br /><a href="http://www.vimeo.com/419344?pg=embed&sec=419344">Pause</a> from <a href="http://www.vimeo.com/sjogren?pg=embed&sec=419344">Aaron Sjogren</a> on <a href="http://vimeo.com/?pg=embed&sec=419344">Vimeo</a>.<span style="font-size:78%;"> <br />(seguir link </span><span style="font-size:78%;">para ver em HD</span><span style="font-size:78%;">)</span><br /><br /><br /><br />- <a href="http://avrepublic.com/colourweb/colourtheory.html">Color Theory - «Think in color»</a><br />- <a href="http://virb.com/sjogren">Aaron Sjogren 's Music</a><br />- <a href="http://vimeo.com/sjogren">Aaron Sjogren on video</a><br />- <a href="http://avrepublic.com/avrhome.html">AudioVisualRepublic</a><br /><br />___Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-10350058.post-86950249448452248762008-08-05T19:51:00.013+01:002008-08-05T22:17:35.649+01:00<div style="text-align: justify;"><span style="color: rgb(51, 51, 51);">___</span><br /><br /><span style="font-weight: bold;">Boas férias</span><br /><br /><br />Há dias, recebi no mail este vídeo que me fez recordar as minhas férias grandes e o tempo que passava em casa de uma das minhas tias a brincar com o Star, um cão tão querido como este.<br /><br />E pensei: depois de referir os Beegeesinhos (ainda que muito ao de leve...) num post sobre o Mike Patton... nada será como dantes.<br />Então, já que estamos na "silly season" porque não publicar este vídeo ternurento com o "Can't Smile Without You" do Barry Manilow num blog que trata, sobretudo... de arte contemporânea?!...<br /><br />Até junto a letra para se poder cantar e tudo.<br /><br /><br />Depois, toca a ir ver exposições e ir ao Jazz em Agosto.<br /><br />:O)<br /><br /><br />E boas férias para quem está ou vai de férias<br /><br /><br /><object width="425" height="349"><param name="movie" value="http://www.youtube.com/v/d_EZDBVuOk4&hl=en&fs=1&rel=0&color1=0x2b405b&color2=0x6b8ab6&border=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/d_EZDBVuOk4&hl=en&fs=1&rel=0&color1=0x2b405b&color2=0x6b8ab6&border=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="349"></embed></object><br /><br /><br /><span style="font-style: italic;">You know I can't smile without you</span><br /><span style="font-style: italic;">I can't smile without you</span><br /><span style="font-style: italic;">I can't laugh and I can't sing</span><br /><span style="font-style: italic;">I'm finding it hard to do anything</span><br /><span style="font-style: italic;">You see I feel sad when you're sad</span><br /><span style="font-style: italic;">I feel glad when you're glad</span><br /><span style="font-style: italic;">If you only knew what I'm going through</span><br /><span style="font-style: italic;">I just can't smile without you</span><br /><br /><span style="font-style: italic;">You came along just like a song</span><br /><span style="font-style: italic;">And brightened my day</span><br /><span style="font-style: italic;">Who would have believed that you were part of a dream</span><br /><span style="font-style: italic;">Now it all seems light years away</span><br /><br /><span style="font-style: italic;">And now you know I can't smile without you</span><br /><span style="font-style: italic;">I can't smile without you</span><br /><span style="font-style: italic;">I can't laugh and I can't sing</span><br /><span style="font-style: italic;">I'm finding it hard to do anything</span><br /><span style="font-style: italic;">You see I feel sad when you're sad</span><br /><span style="font-style: italic;">I feel glad when you're glad</span><br /><span style="font-style: italic;">If you only knew what I'm going through</span><br /><span style="font-style: italic;">I just can't smile</span><br /><br /><span style="font-style: italic;">Now some people say happiness takes so very long to find</span><br /><span style="font-style: italic;">Well, I'm finding it hard leaving your love behind me</span><br /><br /><span style="font-style: italic;">And you see I can't smile without you</span><br /><span style="font-style: italic;">I can't smile without you</span><br /><span style="font-style: italic;">I can't laugh and I can't sing</span><br /><span style="font-style: italic;">I'm finding it hard to do anything</span><br /><span style="font-style: italic;">You see I feel glad when you're glad</span><br /><span style="font-style: italic;">I feel sad when you're sad</span><br /><span style="font-style: italic;">If you only knew what I'm going through</span><br /><span style="font-style: italic;">I just can't smile without you</span><br /><br />___</div>Unknownnoreply@blogger.com4tag:blogger.com,1999:blog-10350058.post-5985995031614197562008-07-25T07:26:00.016+01:002008-07-26T15:41:26.278+01:00<span style="color: rgb(51, 51, 51);">___</span><br /><br /><img src="http://farm4.static.flickr.com/3034/2700122347_bedbd61c99_o.jpg" width="420" /><br />Brassaï, <span style="font-style: italic;">Cabine d'autobus</span>, s.d.<br /><br /><br /><embed type="application/x-shockwave-flash" src="http://stat.radioblogclub.com/radio.blog/skins/mini/player.swf" allowscriptaccess="always" bgcolor="#484848" id="radioblog_player_-1" flashvars="id=-1&filepath=http://www.radioblogclub.com/listen2?u=0vMHZuV3bz9yZvxmYu8WakFmcvcmcv5SY0NXa2JXZ0xWYuMjMr9mclVmY/It_never_entered_my_mind.rbs&colors=body:#484848;border:#484848;button:#7E7E7E;player_text:#909090;playlist_text:#999999;" width="420" height="23"></embed><br />Miles Davis, <span style="font-style: italic;">It Never Entered My Mind</span>, 1956<br /><br /><br /><br />A ver -<br /><br />Brassaï<br />- <a href="http://www.masters-of-photography.com/B/brassai/brassai.html">Masters of Photography</a><br />- <a href="http://www.masters-of-fine-art-photography.com/02/artphotogallery/photographers/brassai_01.html">Masters of Fine Art Photography</a><br />- <a href="http://www.artcyclopedia.com/artists/brassai.html">Artcyclopedia</a><br />- <a href="http://www.encyclopedia.com/doc/1E1-Brassai.html">HighBeam Encyclopedia</a><br />- <a href="http://www.britannica.com/EBchecked/topic/77894/Brassai">Britannica Online Encyclopedia</a><br />- <a href="http://www.iht.com/articles/2000/04/22/fitch.t.php">Brassai-Picasso:40 Years of Dialogue - Herald Tribune</a><br />- <a href="http://www.press.uchicago.edu/Misc/Chicago/071480.html">An excerpt from Conversations with Picasso by Brassaï - University of Chicago Press</a><br />- <a href="http://fr.wikipedia.org/wiki/Brassa%C3%AF">Wikipedia</a><br /><br /><br />Miles Davis<br />- <a href="http://www.milesdavis.com/music_discography.asp">official site</a><br />- <a href="http://www.plosin.com/milesAhead/">Miles Ahead: A Miles Davis Website</a><br />- <a href="http://www.miles-davis.com/">Sony Music</a><br />- <a href="http://allmusic.com/cg/amg.dll?p=amg&sql=11:0ifuxqt5ldke">All Music</a><br />- <a href="http://www.imdb.com/name/nm0002537/">Internet Movie Database</a><br />- <a href="http://www.britannica.com/EBchecked/topic/152808/Miles-Davis">Britannica Online Encyclopedia</a><br />- <a href="http://www.culturekiosque.com/jazz/miles/rhemiles1.htm">Archives of "Sons of Miles" Profiles</a><br />- <a href="http://www.allaboutjazz.com/php/musician.php?id=6144">All About Jazz</a><br />- <a href="http://en.wikipedia.org/wiki/Miles_Davis">Wikipedia</a><br /><br />___Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-10350058.post-56557955526768256982008-07-15T09:16:00.038+01:002008-07-16T03:41:50.147+01:00I Started a Joke<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/7qTUBBQfL5M&hl=en&fs=1"><param name="allowFullScreen" value="true"><embed src="http://www.youtube.com/v/7qTUBBQfL5M&hl=en&fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object><br />Faith No More, <span style="font-style: italic;">I Started a Joke</span>, 1997<br /><br /><br />No mesmo ano de 1997 - <a href="http://www.youtube.com/watch?v=rf9itXPJOJ4">http://www.youtube.com/watch?v=rf9itXPJOJ4</a><br /><br />E, dois anos antes, em 1995 - <a href="http://www.youtube.com/watch?v=4J-9k13zWLQ">http://www.youtube.com/watch?v=4J-9k13zWLQ</a><br /><br /><br />Estive indecisa sobre qual dos vídeos publicaria. Mas tanto faz. Deixo aqui os links. Vale a pena ouvi-los a todos.<br /><br />Mike Patton em três interpretações do <span style="font-style: italic;">I started a joke</span> dos BeeGeesinhos.<br />Digamos que, para resumir, a música corre na alma e no corpo do homem.<br /><br /><br /><br /><span style="font-style: italic;">I started a joke<br />Which started the whole world crying<br />Oh but I didn't see<br />That the joke was on me, oh no<br /><br />And I started to cry<br />Which started the whole world laughing<br />Oh, if I'd only seen<br />That the joke was on me<br /><br />And I looked at the skies<br />Running my hands over my eyes<br />And I fell out of bed<br />Cursing my head<br />From things that I've said<br /><br />Till I finally died<br />Which started the whole world living<br />Oh, if I'd only seen<br />That the joke was on me<br /><br />And I looked at the skies<br />Running my hands over my eyes<br />And I fell out of bed<br />Cursing my head<br />From things that I've said<br /><br />Till I finally died<br />Which started the whole world living<br />Oh, if I'd only seen</span><br /><span style="font-style: italic;">That the joke was on me,<br />T</span><span style="font-style: italic;">hat the joke was on me, me</span><br /><br /><br />---<br /><br /><img src="http://farm4.static.flickr.com/3130/2671340808_e29fe02434_o.jpg" width="280" /><br /><br />- <a href="http://www.mikepatton.de/">http://www.mikepatton.de/</a><br /><br />- <a href="http://www.myspace.com/pattonmike">http://www.myspace.com/pattonmike</a><br /><br />- <a href="http://www.etl.hu/%7Ecsego/patton/">The musical world of Mike Patton</a><br /><br />- <a href="http://www.fabchannel.com/mike_patton_concert/2008-12-06/">Mike Patton & Metropole Orchestra - Live at Holland Festival 2008 (video of the entire live Mike Patton & Metropole Orchestra concert at Paradiso - Main Hall)</a><br /><br />- <a href="http://www.lastfm.com.br/music/Faith+No+More">Faith No More</a><br /><br /><br /><div style="text-align: justify;">«Michael Allan Patton (born January 27, 1968) is an American singer, songwriter, composer, multi-instrumentalist and video game voice actor (...) Patton has earned critical praise for his diverse vocals, which touch on crooning, falsetto, death growls, rapping, chanting, mouth music, beatboxing and scatting, among other techniques; critic Greg Prato writes, "Patton could very well be one of the most versatile and talented singers in rock music."<br />He often produces side projects in collaboration with other musicians (...) He co-founded Ipecac Recordings with Greg Werckman in 1999, and has run the label since. (...) Recently, Patton has worked with Björk and the beat boxer Rahzel. He is often featured on new releases, and is regarded as extremely hard working. (...) Patton is highly regarded in alternative musical circles, and seen as something of an idol in the eyes of modern alternative youth for his air of mystique, his constantly-changing musical sensibilities, his impressive vocal range, and his experimental nature.<br />(...) When interviewed about his lyrical content with Faith No More, Patton responded, "I<span style="font-style: italic;"> think that too many people think too much about my lyrics. I am more a person who works with the sound of a word than with its meaning. Often I just choose the words because of the rhythm not because of the meaning</span>".»<br /></div><br />in <a href="http://en.wikipedia.org/wiki/Mike_Patton">http://en.wikipedia.org/wiki/Mike_Patton</a><br /><br />___Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-10350058.post-20751920345772236492008-07-04T00:10:00.008+01:002008-07-04T06:22:57.126+01:00<span style="color: rgb(51, 51, 51);">-</span><br /><br /><img src="http://farm4.static.flickr.com/3112/2635894658_963b87b6d6_o.jpg" width="523" /><br /><br /><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/0pTgNj7IN80&hl=en&fs=1&color1=0x3a3a3a&color2=0x999999"><param name="allowFullScreen" value="true"><embed src="http://www.youtube.com/v/0pTgNj7IN80&hl=en&fs=1&color1=0x3a3a3a&color2=0x999999" type="application/x-shockwave-flash" allowfullscreen="true" width="525" height="444"></embed></object><br /><br /><br /><span style="font-style: italic;"><br />Hoje o céu está mais azul,<br />Eu sinto<br />Fecho os olhos, mesmo<br />assim<br />Eu sinto<br />O meu corpo estremecer<br />Não consigo adormecer<br /><br /><br />Ah, nem o tempo vai chegar<br />P'ra dizer o quanto eu sinto<br />Você longe de mim<br />É uma espécie de dor<br /><br /><br />Hoje o céu está mais azul<br />Eu sinto<br />Olho à volta mesmo assim<br />Eu sinto<br />Que este amor vai acabar<br />E a saudade vai voltar<br /><br /><br />Ah, nem o tempo vai chegar<br />P'ra dizer o quanto eu sinto<br />Você longe de mim<br />É uma espécie de dor<br /><br /><br />Já não sei o que esperar<br />Dessa vida fugidia<br />Não sei como explicar<br />Mas é mesmo assim o amor</span><br /><br /><br /><br /><span style="font-style: italic;">Rosa</span>, 2004<br /><br />Música - Rodrigo Leão, Ryuichi Sakamoto<br />Letra - Ana Carolina<br />Voz - Rosa Passos<br /><br />Vídeo - José Francisco Pinheiro<br /><br /><br />---<br /><br /><a href="http://www.ccb.pt/sites/ccb/pt-PT/Programacao/Musica/Pages/ROSAPASSOS.aspx"><br />Rosa Passos - Hoje, sexta-feira, no CCB</a>:<br /><br /><span style="font-size:85%;">«</span><span style="font-style: italic;font-size:85%;" >ROSA PASSOS - ROMANCE - BRASILIAN LOVE SONGS<br /><br />Rosa Passos, a grande senhora do Jazz e da Bossa Nova, também conhecida do público português pela sua interpretação do tema “Rosa”, incluído no álbum Cinema de Rodrigo Leão, traz ao CCB o primeiro da série de concertos que apresenta em Portugal durante o mês de Julho, a propósito do novo álbum Romance – Brasilian Love Songs.<br /><br />4 Jul 2008 - 21:00<br /><br />(...)<br /><br />“Mais que uma cantora, Rosa Passos é uma grande compositora e excelente guitarrista, segundo o estilo do seu ídolo João Gilberto. A sua voz tem a limpidez da água e o seu fraseado é destituído de vibrato e ornamento, apenas colorido pela sonoridade da língua portuguesa. [...] Se esta não é a mais bela das vozes, é seguramente uma das mais notáveis e encantadoras.”<br /><br /> Gary Giddins, in New Yorker – Novembro de 2007</span><span style="font-size:85%;">»</span><br /><br />---Unknownnoreply@blogger.com4