João Queiroz, S/ título (da série O Ecrã no peito), 1999



João Queiroz, S/ título (da série O Ecrã no peito), 1999



João Queiroz, S/ título (da série O Ecrã no peito), 1999


imagens retiradas do catálogo da exposição Entre Linhas. Desenho na Colecção da Fundação Luso-Americana editado pela Culturgest em 2005

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Ghostly hands. Touch of the Past #2

Gua Tewet, 1999. Kalimantan. Indonesia.
Photos Luc-Henri Fage © Kalimanthrope



Gua Tewet, 1999. Kalimantan. Indonesia.
Photos Luc-Henri Fage © Kalimanthrope



Gua Tewet, 1999. Kalimantan. Indonesia.
Photos Luc-Henri Fage © Kalimanthrope


Ver Le Kalimanthrope

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Ghostly hands. Touch of the Past #1

«Ghostly hands—many decorated with dots, dashes, and other patterns—reach out from the wall of Gua Tewet in the rain forest of eastern Borneo. Dated back to more than 10,000 years ago, the stenciled hands may suggest initiation or shamanistic rituals, perhaps related to prehistoric Aboriginal art in Australia. The French-Indonesian expedition team called hands connected by long curving lines, at right, a "tree of life." The design may symbolize ties that connect individuals, families, territories, or spirits to each other.»

Ver National Geographic

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«It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
There is no such thing as good painting about nothing.»

Mark Rothko




Mark Rothko, Untitled (Orange over White), s.d.

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Mark-Rothko, Untitled (White Over Red), s.d.

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Mark Rothko, No. 15, 1952

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Mark Rothko, Untitled (Violet, Black, Orange, Yellow on White and Red), 1949

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Mark Rothko, Untitled (green on blue), 1968

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Mark Rothko, Untitled (Black on Grey), 1969/1970

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Robert Motherwell, Personage (Autoportrait), December 9, 1943

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Robert Motherwell, Elegy to the Spanish Republic No. 110, Easter Day, 1971

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Ron Tarver

Ron Tarver, Burning Bush, 2000

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Ron Tarver, Two Barns, 2002

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Ron Tarver, Fort, 2000

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