Van Deren Coke, Ambrotype of My Great Grandfather, 1973

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Luc Tuymans, The Architect, 1997

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Luc Tuymans, Gas Chamber, 1986

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Luc Tuymans, Bend Over, 2001

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Luc Tuymans, Secrets / Geheimnisse, 1990

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Luc Tuymans, Peter, 1994

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Luc Tuymans, Silent Music / Stille Musik, 1992

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Luc Tuymans, The room, 2000

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Nan Goldin, Anthony By The Sea, 1979

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Nan Goldin, Guido on the dock, Venice, Italy, 1998 (detail)

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Nan Goldin, The Sky on the Twilight of Philippine's Death, Winterthur, 1997

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Nan Goldin, Window

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Nan Goldin, Valerie and Gotscho Embracing, Paris, 1999

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Richard Miller, Woman with Umbrella #2, Bucharest, Romania, 1998

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Gerhard Richter, Garmish, 1981, oil on canvas

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Gerhard Richter, Davos N., 1981, oil on canvas

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Gerhard Richter, Landscape near Hubbelrath, 1969, oil on canvas

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Gerhard Richter, Untitled, 1988, oil on canvas

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Katharina Sieverding, Maton, 1969

Fotokunst (Arte Fotográfica) no Centro Português de Fotografia

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Katharina Sieverding, Stauffenberg-Block, 1969

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http://www.lisboaphoto.pt/

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Alexandra Mesquita, Ser Céu

a ver na exposição pronto a servir de cérebros de Alexandra Mesquita, na Galeria Arte Periférica.

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Chris Langstroth, Rainy Road, 2001

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Chris Langstroth, Nostalgia III, 2002

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Chris Langstroth, Runner, 2002

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Bartolomeu Cid dos Santos, Looking North

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Bartolomeu Cid dos Santos, The Farewell, 1986

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Bartolomeu Cid dos Santos, Still life with glass, 1991

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Daniel Blaufuks. Cinema Paraíso

Daniel Blaufuks, 1991



Daniel Blaufuks, 1991



Daniel Blaufuks, 1991


in Cinema Paraíso. memória descritiva. Fotografias de Daniel Blaufuks, editado pela C. M. de Lisboa, em 1991, por ocasião da exposição Cassiano Branco e o Eden

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Manuel Botelho

Manuel Botelho, Sufoco / White Dust, 2001

A ver no Centro de Arte Moderna até amanhã, 8 de Maio.

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Wayne McDowell, Bowl & Mantle

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Wayne McDowell, Seven Bars #2

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Wayne McDowell, Nine Bars & Mantle

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Maggie Taylor

Maggie Taylor, Mood lifter, 2001

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Maggie Taylor, Fragile, 2003

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Maggie Taylor, Surrounded, 2004

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Francisco Pinheiro, Gosto de beijar a tua barriga no relvado do meu jardim, 2004

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Francisco Pinheiro, S/ título, 2004

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Paulo Damião, Hapiness is a warm gun, 2004

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Vasco Monteiro, S/ título, 2004

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Vasco Monteiro, S/ título, 2004

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Babs Kletter, The Light of the Heavens

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Babs Kletter, Show Me the Way

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Babs Kletter, Ocean Flowers

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Isabel Bigelow, Blue Room

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Sonya Sklaroff, One Water Tower

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Marlene Dumas, The Benefit of the Doubt, 1998


«I paint because I am a woman.
(It's a logical necessity.)
If painting is female and insanity is a female malady, then all women painters are mad and all male painters are women.
I paint because I am an artificial blonde woman.
(Brunettes have no excuse.)
If all good painting is about color then bad painting is about having the wrong color. But bad things can be good excuses. As Sharon Stone said, "Being blonde is a great excuse. When you're having a bad day you can say, I can't help it, I'm just feeling very blonde today."
I paint because I am a country girl.
(Clever, talented big-city girls don't paint.)
I grew up on a wine farm in Southern Africa. When I was a child I drew bikini girls for male guests on the back of their cigarette packs. Now I am a mother and I live in another place that reminds me a lot of a farm - Amsterdam. (It's a good place for painters.) Come to think about it, I'm still busy with those types of images and imagination.
I paint because I am a religious woman.
(I believe in eternity.)
Painting doesn't freeze time. It circulates and recycles time like a wheel that turns. Those who were first might well be last. Painting is a very slow art. It doesn't travel with the speed of light. That's why dead painters shine so bright.
It's okay to be the second sex.
It's okay to be second best.
Painting is not a progressive activity. (…)»

Marlene Dumas

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